Since 1987, Tatsuo Miyajima has been using small LED counters that display flashing numbers, arranging them in grids or around sculptural forms. His installations invite viewers to reflect on the passing of time in both personal and more abstract terms, while alluding to structures as small as a single cell and as large as a planetary system.
Tatsuo Miyajima is in conversation with art historian Marcus Verhagen.
Sunday, 16 May 2010
Goodnight & Good luck!
Thursday, 6 May 2010
Final session
Wednesday, 28 April 2010
Your essays
Tuesday, 20 April 2010
Tatsuo Miyajima: Talking Art
Saturday 24 April 2010, 14.00–15.30
£9 (£5 concessions), booking recommended
Thursday, 15 April 2010
Additional reading for Week 10, Monday April 20th
Friday, 9 April 2010
Digital Economy Bill - or how to kill digital creativity?
The Bill implements aspects of Government policy on digital media set out in the ‘Digital Britain’ White Paper published in June 2009.
Key areas
* requires Ofcom to report on communications infrastructure and media content
* imposes obligations on internet service providers to reduce online copyright infringement
* allows the Secretary of State to intervene in internet domain name registration
* requires Channel Four to provide public service content on a range of media
* provides more flexibility over the licensing of Channel 3 and Channel 5 services
* modifies the licensing regime to facilitate switchover to digital radio
* allows variation of the public service provision in Channel 3 and 5 licences
* provides Ofcom with additional powers in relation to electromagnetic spectrum access
* extends the range of video games that are subject to age-related classification
* includes non-print formats in the public lending right payment scheme
Follow the enlightening statements and comments of these guys:
http://www.openrightsgroup.org/ourwork/reports/brief-on-digital-economy-bill
and these guys here:
http://paidcontent.co.uk/article/419-digital-economy-bill-passed-189-47-with-piracy-measure-intact/
and finally this guy here:
http://leninology.blogspot.com/
Friday, 26 March 2010
Proposed journals for your research
The following list was created by Lynn Clark, Assistant Research Professor in Communication at the University of Colorado, Boulder. Her criterion for ranking the journals can be found at her website: http://ucsu.colorado.edu/~clarkl/gradstudents.htm#journals
Communication Journals:
1. Communication Research
2. Public Culture
3. Journal of Communication
4. Communication Theory
5. Journal of Broadcast and Electronic Media
6. Media, Culture, and Society
7. Critical Studies in Media Communication
8. Journalism and Mass Communication
9. Communication Monographs
10. European Journal of Communication
11. Cultural Studies
12. Media Studies Journal
13. Javnost - The Public
14. Journal of Communication Inquiry
Sociology journals that publish media studies
1. Symbolic Interaction
2. Contemporary Sociology
3. Sociology of Religion
4. Journal for the Scientific Study of Religion
5. Review of Religious Research
6. Youth & Society
7. Journal of Contemporary Ethnography
Promising new journals/too new to rank:
New Media & Society
Popular Communication
Cultural Studies - Critical Methodologies
Journal of Media and Religion
Communication and Critical/Cultural Studies
Other journals of interest:
Continuum: Journal of Media & Cultural Studies
Emergences: Journal for the Study of Media and Composite Cultures
Feminist Media Studies
Historical Journal of Film, Radio, and Television
Information, Communication & Society
Journalism Studies
Media History
Quarterly Review of Film and Video
The Howard Journal of Communications
Popular Music & Society
Popular Music
Journal of Computer-Mediated Communication
Hope this helps your research over Easter.
Have a good break!
Thursday, 18 March 2010
next Tuesday - important please reply asap
Monday, 15 March 2010
TOMORROW'S SESSION
Monday, 8 March 2010
re the grey album
DJ Danger Mouse remixed the vocals from Jay-Z's The Black Album and the Beatles' White Album and called his creation The Grey Album. He sent about 3,000 promo copies out, and was soon served with a cease-and-desist notice from EMI, who owns the rights to the White Album master. Danger Mouse complied with EMI's order, butStay Free! (sponsors of the Illegal Art Exhibit) and other fans and activists continued distributing the record over the Internet. EMI sent legal threats to many of us as well but later backed down. Next, SONY/ATV -- who owns the rights to the Beatles' compositions -- stepped in and sent our internet service provider a DMCA takedown notice (3/1/2004). We secured legal representation from the EFF, moved our website to the Online Policy Group (a free-speech ISP), and responded to Sony with this letter. Fortunately, Sony also dropped the case and The Grey Album remains safely online.
for more info and links see http://www.illegal-art.org/audio/grey.html
Thursday, 4 March 2010
The Re-used Sample.
The Grey Album (conspiracy)
Here is one conspiracy that can definitely be proved. Its to do with playing one of the interludes backwards from the grey album. My friend Alex insisted that i present this to you all.
Alot of this may see a little far fetched but when you see how much symbolism and ancient symbols are used in our every day lives it quite insane. This next little exert is taken from a guy called john todd who came out of the woodwork in the 70's ans started talking about freemasonry, witchcraft and the music industry.
I sampled what he said for a mixtape (on logic) i did with my mate as i have always thought a lot of pop artists these days would need to have sold their soul to satan to get where they are. But that's another story.
Flutes and vibes volume. 2 by Waxmongerz
from now on i will keep this kinda stuff to my own blog
http://mymindisabadneighbourhood.wordpress.com/
Wednesday, 3 March 2010
The Grey Album - The Original Vinyl.
Danger Mouse & Jay-Z - The Grey Album
Label:Not On Label (Danger Mouse)
Catalog#:DM-001
Format:2 x Vinyl, LP, Unofficial Release, White Label
Country:UK
Released:2004
Genre:Hip Hop
Style:Cut-up/DJ
Here is its details on discogs
More in depth details such as catalogue details and release date here
Here is is for sale for $79 on amazon.com
I remember when it got circulated via newsgroups and mIRC channels. I believe the original rip of it was taken from the vinyl. If you understand file sharing newsgroups i think it was RNS or FTD that distributed it.
Tuesday, 2 March 2010
Wednesday, 24 February 2010
[Sound Vs Visuals] Autechre - Gantz Graf
Autechre - Gantz Graf
This animation was produced by Chris Cunningham.
London Festival of Architecture 2010 19 June - 4 July 2010
Not quite what we do but very exciting nevertheless!
The Architecture Foundation is proud to deliver The London Festival of Architecture 2010 in partnership with RIBA London and New London Architecture. The Festival, running from 19 June to 4 July, will be a city-wide celebration of architecture in the capital. As London gears up for the London 2012 Olympic and Paralympic Games we look at ways that planners, architects, clients and local communities play their part in the development of 'The Welcoming City'.
LFA2010 will have three weekends over which visitors will be encouraged to explore three key areas of London namely, the Nash Ramblas, Bankside Urban Forest and High Street 2012.
The Architecture Foundation is pleased to be curating the Bankside Urban Forest and High Street 2012 hubs in 2010. They will also be responsible for delivering the International Architecture Showcase in collaboration with the British Council and the International Architecture Student Festival in collaboration with London Metropolitan University.
Tuesday, 16 February 2010
Musical sculpture
The example of sculpture interacting with the environment..
for more details visit: http://atlasobscura.com/places/singing-ringing-tree
Kinetica art fair
Today's reading
Parallel Voices 2010
Saturday, 13 February 2010
555 KUBIK "How it would be, if a house was dreaming"
Another interesting digital instalation I found recently on Vimeo.
The conception of this project consistently derives from its underlying architecture - the theoretic conception and visual pattern of the Hamburg Kunsthalle. The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers "Galerie der Gegenwart". Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement. A situation of reflexivity evolves - describing the constitution and spacious perception of this location by means of the building itself.
Critical Code readings
Please also read the guidance notes below.
Required by 12th March 2010:
Wilson, S. (2003). ŒCritical perspectives on Web art’ in Information Arts:
Intersections of Art, Science, and Technology. Cambridge, MA: MIT Press,
Leonardo Series, pp 561 571.
http://0-www.lisa.lsbu.ac.uk.
Broeckmann, A. (1998). ŒAre You Online? Presence and Participation in
Network Art’ in T. Druckrey, (ed.) Ars Electronica: Facing the Future, A
Survey of Two Decades. Cambridge, MA: MIT Press, pp 438 441
http://0-www.lisa.lsbu.ac.uk.
Required by 19th March
Hansen, M. B.N. (2004). ŒFraming the Digital Image: Jeffrey Shaw and the
Embodied Aesthetics of New Media’ in New Philosophy for New Media.
Cambridge, MA: MIT Press, pp 47 70.
http://0-www.lisa.lsbu.ac.uk.
Please find attached - links to scanned article files for the readings for your units.
These should be placed only on pages of your website for that particular module.
The CLA licence we are allowed to scan under has some conditions -
Please direct only those students who are on a particular module to that module's readings.
Other students should not be reading/printing articles for modules they are not taking.
Students should be advised to print only 1 copy of an article - they should not email these articles on to other students or save them
Please do not link to these articles from other sites or download and keep copies of these files yourself - the files should only be stored on the library’s server
Articles are valid for the dates as follows - 30/09/2010.
We will contact you shortly before these dates expire: if these modules are running again and still require the same articles then we can renew for next year. If not then we will remove the files from our server and the links will become dead
Please ask students to take notice of the copyright notes on front page of each article
Some articles are from books owned by your library and not by ours - please do not remove these from your library collection as we will no longer be able to display scanned extracts from a book if the university does not own a copy. If we are audited by the Copyright Licensing Agency then we may need to show them the original copies of books to demonstrate ownership.
Alan Doherty
Perry Library
London South Bank University
A short reminder from the Decode: Digital Design Sensations Exhibition showcasing the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations. The exhibition includes works by established international artists and designers such as Daniel Brown, Golan Levin, Daniel Rozin, Troika and Karsten Schmidt.
The exhibition explores three themes: Code presents pieces that use computer code to create new works and looks at how code can be programmed to create constantly fluid and ever-changing works. Interactivity looks at works that are directly influenced by the viewer. Visitors will be invited to interact with and contribute to the development of the exhibits. Network focuses on works that comment on and utilise the digital traces left behind by everyday communications and looks at how advanced technologies and the internet have enabled new types of social interaction and mediums of self-expression.
Friday, 12 February 2010
a collaborative music/spoken word project
a collaborative music/spoken word project